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Open 10.00am to 5.00pm
Wednesday to Sunday &
Bank Holiday Mondays
Towner International is a major new biennial exhibition of contemporary art that will take place at Towner in 2020, featuring British and International artists. The Brewers Prize of £10,000 will be awarded to an overall winner chosen from the exhibiting artists.
This exhibition is a major survey of Nash’s career from the late 1960s to the present day, exploring his unique contribution to British sculpture and the international Land Art movement.
Caroline Lucas – politician, cultural advocate and environmental campaigner – has taken on a new challenge: curating her first ever exhibition. Selecting from over 5000 works in the Towner Collection, Caroline’s choices reflect and resonate with her passions and interests.
Recently acquired by Towner, This whole time there were no landmines (2017) is an eight-monitor installation with sound, that uses collected cell-phone-video footage from 2011 to document a ‘shouting valley’ that lies in the contested area of the Golan Heights, Syria.
Towner Eastbourne are pleased to present a major exhibition Alan Davie (1920–2014) and David Hockney (b. 1937) that will explore the convergence between these two major figures of post-war British painting.
Discover works that explore new digital practices, experimental animation and fresh approaches to analogue filmmaking in this screening of cutting-edge artists’ films in the Towner Cinema.
Night walks over the old chalk paths and byways of the Downs, along with the work of the artist Eric Ravilious and the poetry of Edward Thomas are the main inspirations behind Allan Grainger’s series of photographs, Downland Gloaming.
To celebrate Towner's tenth anniversary in the Rick Mather designed building new Eastbourne's seafront, a group from Towner's team who have worked and volunteered at the gallery since 2009 have curated an exhibition from works in the permanent collection that have been acquired in the last ten years.
Sedibeng, it comes with the rain is an immersive installation set in an environment of reflecting and refracting light, on a floor strewn with feathers, metal abstractions, letter charms, bags of healing herbs, images of ripe fruits and flowers native to Africa, the work explores notions of fertility, land, resistance, Afro-diasporic spiritual aesthetics and practices. Bopape has exhibited work across the globe, including at the 10th Berlin Biennale and Palais de Tokyo, Paris. This will be the artist’s first major solo presentation in England.
This exhibition, which includes new works, takes its name from the artist’s late maternal grandmother and reflects on the ideas surrounding how the iris works, moving from the intimate and unspoken to the communal, stretching to different times, reflective of the nature of painting itself.